Volume 24, Number 1—January 2018
About the Cover
Of Rats and Men: Poussin’s Plague at Ashdod
Nicolas Poussin (1594–1665) was a brilliant French Baroque painter whose art was inspired by biblical and mythological scenes. Poussin depicts the Plague at Ashdod (1630) (Louvre Museum, Paris, France) in one of his best works, inspired by an episode from chapter 5 of the Book of Samuel. On this large canvas, rats run through buildings and among dead and dying bodies. The Book of Samuel, written during 630–540
This biblical text has been linked to bubonic plague by some, but not all, authors because black rats from the Far East did not reach the Near East until the 1st century
The King James version of the Bible translates both words as “emerods” (hemorrhoids), and the New International version of the Bible translates both as “tumors.” The Septuagint, a Hebrew-to-Greek translation of the Torah made in the 3rd century in Egypt by 72 Hebrew scholars, and Saint Jerome’s translation of this Greek text into Latin, both expand on the original Hebrew by stating that the tumors were in the groin (bubo is derived from the Greek word for groin). The Septuagint translation by Hebrew scholars seems more reliable than the translation to Latin by Josephus.
It is startling that in 1630 Poussin implicated rats in the pathogenesis of the bubonic plague, a fact disregarded until the end of the 19th century. Poussin lived through the Thirty Years’ War in France and Italy and might have seen cases of plague.
It was not until 1894 that Alexandre Yersin and Kitasato Shibasaburo, independently in Hong Kong isolated the bacterium responsible for the Third Bubonic Plague Pandemic. Yersin named it Pasteurella pestis after the Pasteur Institute, but in 1967 it was moved to a new genus, and renamed Yersinia pestis in honor of Yersin. Yersin also noted that rats were affected by plague during human epidemics. Plague was regarded in Asia as a disease of rats. Thus, when large numbers of rats were found dead, plague outbreaks soon followed.
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