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Volume 25, Number 1—January 2019
About the Cover

Repurpose and Reuse: Artistic Perspectives on Antimicrobial Resistance

Byron BreedloveComments to Author 
Author affiliation: Centers for Disease Control and Prevention, Atlanta, Georgia, USA

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Anna Dumitriu (1969). “Make Do and Mend” detail, 2017. Ampicillin antibiotic susceptibility discs and fabric, 12 in × 12 in/30.48 cm × 30.48 cm. First exhibited at LifeSpace Dundee, 2017. Made in collaboration with Nicola Fawcett (University of Oxford) and Sarah Goldberg (Technion). Digital image courtesy of Anna Dumitriu.
Anna Dumitriu (1969). “Make Do and Mend” detail, 2017. Ampicillin antibiotic susceptibility discs and fabric, 12 in × 12 in/30.48 cm × 30.48 cm. First exhibited at LifeSpace Dundee, 2017. Made in collaboration with Nicola Fawcett (University of Oxford) and Sarah Goldberg (Technion). Digital image courtesy of Anna Dumitriu.

Antimicrobial resistance ranks among the most urgent global challenges of the 21st century. When penicillin became widely available in 1943, the specter of antimicrobial resistance was already stalking this seemingly miraculous drug. As new antimicrobial agents have been developed, they, too, have gradually lost effectiveness because of their misuse and overuse for human, animal, and agricultural health.

British artist Anna Dumitriu, who served as the 2018 president of the Science and the Arts Section of the British Science Association, has focused on the issue of antimicrobial resistance in her recent work. She states, “We are confronted by a very difficult situation now, where important antibiotic drugs we have relied on for many years have simply stopped working, because bacteria have evolved strategies to beat them. I’m fascinated how the drug discovery process works, how infectious diseases were treated in the past, and in what is happening now in scientific research to improve health.”

Working with an array of traditional fine arts and craft materials and with bacteria, antibiotics, and DNA sequences, Dumitriu melds microbiology with fine art to create works within the genre of “bioart.” Interestingly, Sir Alexander Fleming, discoverer of penicillin, created some of the earliest examples of this art form. He indulged his creative side by using laboratory instruments to “paint” ephemeral figures and landscapes, growing microbes with different natural pigmentations on agar-filled petri dishes and waiting for the images to develop.

Dumitriu is among the vanguard of a small cadre of interdisciplinary practitioners who wield their creative skills in studios and laboratories. Featured on this month’s cover art is one component of her 2017 project Make Do and Mend, a section of quilt that comprises 16 irregular silk squares. The brown, blue, pink, and plum squares are flecked and dappled with splotches of contrasting colors, and assembled into a quilt with a combination of backstitch, running stitch, and satin stitch. As is the case with many quilts, the final product came from a cooperative effort—in this case, the artist and her scientific collaborator Nicola Fawcett.

Each silk square is stained with diluted fecal samples from individual patients in Oxford, UK, who had consented to their samples being used in artworks. Those samples were grown on silk cloth squares using chromogenic agar. The blue/pink patches that display different-sized colonies of bacteria indicate a diverse gut microbiome. All-blue or all-pink sections suggest a gut microbiome that has reduced diversity from antibiotic use. Clustered near the center are three embroidered shapes with trailing flagella that represent Escherichia coli bacteria. Nine ampicillin susceptibility discs are stitched into the quilt. (For anyone interested in protocols, Fawcett states, “Dumitriu works with expert microbiologists to integrate compliance with health and safety standards into her work.”)

In another aspect of this project, Dumitriu and Dr. Sarah Goldberg used CRISPR (short for clusters of regularly interspaced short palindromic repeats) to edit the genome of a strain of E. coli bacteria. They removed an ampicillin antibiotic resistance gene and replaced it with a fragment of DNA (converted into ASCII code and then to base 4) that encoded the World War II slogan “Make Do and Mend”. That slogan came from the title of a pamphlet issued by the British Ministry of Information encouraging homemakers to repair and reuse clothing during wartime. The cover of that leaflet is also part of the exhibit.

Dumitriu conceived of this exhibit as a way to commemorate the 75th anniversary of the first use of penicillin in patients and to increase awareness about the rapid development of antibiotic-resistant strains of pathogens. Her Make Do and Mend project may help stimulate creative thinking about antimicrobial resistance and stewardship. Perhaps new serendipitous breakthroughs will allow us to repurpose and reuse some of our diminished antimicrobials in keeping with Fleming’s famous quote, “One sometimes finds what one is not looking for.”

The installation Make Do and Mend by Anna Dumitriu explores CRISPR gene editing and antibiotic resistance. It features an altered antique women’s suit with CC41 mark, antique toy sewing machine, silk impregnated with CRISPR edited bacteria, altered vintage leaflets, ampicillin antibiotic susceptibility discs, fabric, wood and glass frames. First exhibited at LifeSpace Dundee, 2017. Made in collaboration with Sarah Goldberg and Roee Amit (Technion) with elements in collaboration with Nicola Fawcett (University of Oxford). Digital image courtesy of Anna Dumitriu.

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Bibliography

  1. British Library. Make do and mend, 1943 [cited 2018 Nov 16]. http://www.bl.uk/learning/timeline/item106365.html
  2. Centers for Disease Control and Prevention. Antibiotic/antimicrobial resistance (AR/AMR) [cited 2018 Nov 14]. https://www.cdc.gov/drugresistance/index.html
  3. Dumitriu  A. FEAT (future emerging art and technology): make do and mend. Bioart and bacteria [cited 2018 Oct 26]. http://www.normalflora.co.uk/
  4. Dunn  R. Painting with penicillin: Alexander Fleming’s germ art [cited 2018 Nov 19]. https://www.smithsonianmag.com/science-nature/painting-with-penicillin-alexander-flemings-germ-art-1761496/
  5. Fawcett  NJ, Dumitriu  A. Bacteria on display–can we, and should we? Artistically exploring the ethics of public engagement with science in microbiology. FEMS Microbiol Lett. 2018;365 fny101.
  6. Fernández CF. Art made with CRISPR aims to raise awareness of antibiotic resistance [cited 2018 Nov 14]. https://labiotech.eu/bioart/anna-dumitriu-crispr-antibiotic-resistance/
  7. Medina  . CRISPR gene editing meets the art world. The CRISPR Journal. 2018;1 [cited 2018 Nov 26].
  8. Spencer  M. A brief history of quilts [cited 2018 Nov 5]. https://blog.parachutehome.com/history-of-quilting/
  9. Swain  K. BioArt: materials and molecules. Lancet. 2018;391:e7. 10. Tacconelli E, Pezzani MD. Public health burden of antimicrobial resistance in Europe. Lancet Infect Dis. 2018;Nov 5:pii:S1473-3099(18)30648-0.

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Cite This Article

DOI: 10.3201/eid2501.ac2501

Original Publication Date: 12/10/2018

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Table of Contents – Volume 25, Number 1—January 2019

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Byron Breedlove, EID Journal, Centers for Disease Control and Prevention, 1600 Clifton Rd NE, Mailstop H16-2, Atlanta, GA 30329-4027, USA

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Page created: December 18, 2018
Page updated: December 18, 2018
Page reviewed: December 18, 2018
The conclusions, findings, and opinions expressed by authors contributing to this journal do not necessarily reflect the official position of the U.S. Department of Health and Human Services, the Public Health Service, the Centers for Disease Control and Prevention, or the authors' affiliated institutions. Use of trade names is for identification only and does not imply endorsement by any of the groups named above.
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