Skip directly to site content Skip directly to page options Skip directly to A-Z link Skip directly to A-Z link Skip directly to A-Z link
Volume 25, Number 11—November 2019
About the Cover

“Many Things Grow in The Garden That Were Never Sown There”

Byron BreedloveComments to Author 
Author affiliation: Centers for Disease Control and Prevention, Atlanta, Georgia, USA

Cite This Article

Among Europe’s oldest gardens are those at the Real Alcázar Palace in the heart of Seville, Spain. This palace and its gardens were designated as an UNESCO World Heritage Site in 1987. During 1910, King Alfonso XIII summoned artist Joaquin Sorolla y Bastida to Seville to paint a portrait of the king for the Hispanic Society of America. While waiting 3 weeks for the king’s arrival, Sorolla completed 18 paintings, including Court of the Dances, Alcázar, Sevilla, this issue’s cover art, one of a pair of paintings that shows different views of the same resplendent garden known for its fruit trees, produce, and fragrant flowers.

Sorolla scholars Blanca Pons-Sorolla and Monica Rodriguez Subirana describe Sorolla—frequently referred to as the “master of light” for his luminous, shimmering canvases―as “one of the most estimable, prolific, and fascinating personalities in the history of modern Spanish painting.” Although Sorolla is best known for “depicting the color, movement, and play of light on the sea like no one else,” Pons-Sorolla and Subirana point out that he also was one of the finest portraitists of his time and a noted landscape artist who “excelled at depicting gardens, one of the motifs he reproduced with the greatest splendor and sensibility.”

In Court of the Dances, Alcázar, Sevilla, Sorolla’s characteristically thick, dynamic brushstrokes capture the fecundity and textures of this sun-speckled garden. The intense blue sky glimpsed through the tangled vegetation contrasts with the deep green foliage. Spanish sunlight filters through tangles of flora, making leaves and fronds glow and shadows spill across the walkway, columns, and walls of this well-tended garden. Pons-Sorolla and Subirana note Sorolla “was interested in showing the sight lines around which the gardens were arranged, and how one entered these spaces through the leafy trees, placed in perspective with the background so as to convey a feeling of an infinite path.”

According to the J. Paul Getty Museum, which houses this work, “The courtyard of Seville's Alcázar Palace, the city's most splendid example of Moorish architecture, sparkles in the dappled summer sunlight. As always, Joaquín Sorolla y Bastida was concerned with color and light, brilliance and atmosphere. The colored reflections of the light animate the scene and help to define the forms, creating a sense that nature is ever-changing.”

“Many things grow in the garden that were never sown there” is among the enduring adages that English physician and writer Thomas Fuller included in his book Gnomologia (1732). That maxim, in its most literal sense, applies to various weeds, invasive plants, and other unwelcome flora that can surreptitiously infiltrate cultivated gardens such as those Sorolla depicted at the Alcázar Palace.

More broadly, this saying also provides a metaphor for the complex interactions of factors driving the surge in emerging infections across the globe, including climate change, human population growth and migration, antimicrobial resistance, and modern agricultural practices. Public health officials and researchers must be vigilant and focused in preparing for and responding to pathogens emerging in geographic locations and in populations where they were rare, nonexistent, or unknown.

Joaquin Sorolla y Bastida (1863–1923). Court of the Dances, Alcázar, Sevilla, 1910. Oil on canvas 37.5 × 25 in./95.2 × 63.5 cm. Digital image courtesy of the Getty’s Open Content Program, The J. Paul Getty Museum, Los Angeles, CA, USA.
Joaquin Sorolla y Bastida (1863–1923). Court of the Dances, Alcázar, Sevilla, 1910. Oil on canvas 37.5 × 25 in./95.2 × 63.5 cm. Digital image courtesy of the Getty’s Open Content Program, The J. Paul Getty Museum, Los Angeles, CA, USA.

Top

Bibliography

  1. Carlson  CJ, Mendenhall  E. Preparing for emerging infections means expecting new syndemics. Lancet. 2019;394:297. DOIPubMed
  2. Fuller  T. Gnomologia: adages and proverbs; wise sentences and witty saying, ancient and modern, foreign and British. London: Barker and Bettesworth Hitch; 1732. p. 143.
  3. Huneker  J. Eight essays on Joaquín Sorolla y Bastida, Volume 1. The art of Joaquin Sorolla by Leonard Williams. New York: Hispanic Society of America; 1909. p. 88–93, 209.
  4. Joaquin Sorolla y Bastida: the master of light [cited 2019 Sep 25] http://www.sorollapaintings.com/index.html
  5. Morens  DM, Folkers  GK, Fauci  AS. The challenge of emerging and re-emerging infectious diseases. Nature. 2004;430:2429. DOIPubMed
  6. Pons-Sorolla  B, Subirana  MR. Sorolla: painted gardens. New York: Rizzoli Electa: 2019. p 7–16, 46–53.
  7. Richman-Abdou  K. Rediscovering Joaquín Sorolla: the Spanish impressionist known as a “master of light.” My Modern Met [cited 2019 Sep 23]. https://mymodernmet.com/joaquin-sorolla-spanish-impressionism/
  8. Sovek  C. Light and color, Sorolla style. The Artist’s Magazine, December 1990 [cited 2019 Sep 25]. http://www.sovek.com/publications/articles/sorolla/

Top

Cite This Article

DOI: 10.3201/eid2511.ac2511

Original Publication Date: 10/15/2019

Related Links

Top

Table of Contents – Volume 25, Number 11—November 2019

Comments

Please use the form below to submit correspondence to the authors or contact them at the following address:

Byron Breedlove, EID Journal, Centers for Disease Control and Prevention, 1600 Clifton Rd NE, Mailstop H16-2, Atlanta, GA 30329-4027, USA

Send To

character(s) remaining.

Comment submitted successfully, thank you for your feedback.

Top

Page created: October 15, 2019
Page updated: October 15, 2019
Page reviewed: October 15, 2019
The conclusions, findings, and opinions expressed by authors contributing to this journal do not necessarily reflect the official position of the U.S. Department of Health and Human Services, the Public Health Service, the Centers for Disease Control and Prevention, or the authors' affiliated institutions. Use of trade names is for identification only and does not imply endorsement by any of the groups named above.
file_external